wounded, weary, and wideawake

 

The invasion was unexpected and uninvited; it happened
one numinous now
when the minder of memories had her back turned.

In crept wild wideawakeness, sleuthing
through this dormitory of sleeping stories,
slipping from cocoon to cocoon
dubbing each bedded-down memory
with its diamond dagger and pronouncing each one
an esteemed and luminous Member of the Matrix.

It lifted up the wounded and the weary,
the lost and lonesome, the betrayed
and the broken, saying

 

To know this pain, beloved
is to know That which is beyond time
for That alone has the capacity to be aware
and in your naked awareness of your pain
you are naturally ever-enlightened.

You imagine your enlightenment to be
other than this wretchedness –
you take it as proof that you
haven’t yet “made the shift”
yet how could pain (or pleasure) be known
if enlightenment were not fully present?

By what function of cognition
would you aware this knowing?
By both logic and experience it’s found
that the unlit light of awareness
is prior to every sensory perception.

Will you stay tucked up in your cocoon
dreaming of the mirage of your awakening
shimmering in some distant space and time
or will you blink now
and own up to your feral freedom?

 

 

I blinked.

 

– ml, 2012

 

Tantric painting, India, c!800, detail

 

Tantric Painting, India, c1800 or earlier, detail


This post was originally published on my blog this unlit light in October 2012.


 

 

{ pure gold }

     

It must have been more than 50 years ago.

I was a newbie meditator and yogini when my teacher threw this curved ball:

“Pray for disappointment.
Disappointment is the highest teacher.”

Gulp.  I thought I was signing up for Transcendence 101, not some advanced course in self-mortification.  

Please explain, I asked, and she did:

Disappointment will unpick your stories.

It will shatter your certitudes.

It will strip you of hope.

It will lead you to the other side of the assumptions you unknowingly live by. 

(It will be a huge shock to realise that the only free and true choice you can ever make is to stop, shut up, listen and open.)

If you can live with its inevitability, it will deliver you to unbreakable peace and equanimity.  You will understand the real meaning of trust and you will make impermanence your touchstone.  

No fatalism or nihilism involved – no ‘isms’ whatsoever.  
No ideology, therapy or frantic god-bothering required.

 

{ pure gold }

 

Well, as it happened, she was right.

Did I ever offer up a prayer of invitation to disappointment?  
Not that I recall, but I’ve always been a bit contrary, and I was definitely curious.

Everyone was hunting for the enlightenment cookie via his or her own tendencies and patterns – I guess I was too.  In hindsight it’s clear that my fierce wild-maned Cincinnati yoga teacher (who was managing my return to mobility after having my right leg severed in an accident) was introducing me to the Via Negativa, to the ancient Vedic Neti Neti inquiry.

And so far as the gods of disappointment were concerned,
my ingenuous curiosity was enough to catch their attention.  

Off I went, from one knee-grazer to the next.

Sometimes they served up the prompt in the midst of the mishap, accident, heartache, bust-up, betrayal, rejection.  Sometimes it would show up in the aftermath.  But it never failed to arrive, scribbled in gold on the back of an increasingly tattered calling card:

 

What knows this,

ceaselessly, inescapably, 

while remaining entirely unaffected?

 

a h h h h h . . .

s y s t e m – r e s t o r e

 

{ pure gold }

 

I bow before disappointment’s wild grace.

 

Speaking personally, mls.


Notes:

Sometimes a poem calls forth an image; sometimes an image elicits a poem.  I’ve been keeping company with this Kintsugi sculpture by Billie Bond for a while, waiting to see if words might line themselves up in response to its powerful eloquence.  What showed up surprised me.  While I have been blessed with untold good fortune, generosity and joy in my life, I confess that it was the unspeakably harrowing experiences that opened up intimacy with the entire field of experience.  So I’m posting this in case it matches the shape of a wound that needs loving attention.  We all have them. And we are the world.

From September 18, 2013: a love letter to disappointment

Sculpture:
Billie Bond, Kintsugi Head 1, 2014
H32 W22 D15
Black stoneware, resin, epoxy, gold leaf
Unique
http://www.billiebondart.com/kintsugi-sculpture.html

Kintsugi – “golden joinery” also known as Kintsukuroi – “golden repair”, is the ancient Japanese art of repairing broken ceramics with lacquer mixed with powdered gold.  As a philosophy it sees beauty in imperfection; it treats breakage and repair as part of the history of an object, rather than something to disguise.


following fear into the star-stuff of my cells

Frederick Walker, The Woman in White, 1871 Tate Gallery

 

This post is an attempt to explain why I’m a dedicated follower of fear.  For as long as I can remember (and that’s probably way further than your lifespan dear reader), I’ve been keenly curious and unafraid of a good adventure.  So it’s surprising that I was so slow to arrive at the threshold of my body’s dark knowledge.  Needless to say, the Shadowlands had good reason to be well-hidden from my agenda…
But once the bellyflop into the deep occurred, the implications of the free-fall of fifteen years ago could at last percolate down and settle in the cells.  I am writing this in the midst of another dive – a somatic meditation retreat, which I think of as a pre-death trauma detox.  For the most part I’m avoiding the screen, but this pressed to be posted.


We hear it so often:  To be happy, to be spiritually liberated, to be … (insert personal agenda), we must choose between love and fear.  And the ominously silent insinuation is that choosing fear is definitely not the way to go.

My platitude-sensitive antenna start to hum; a dictum like this is demands scrutiny.

A good place to start is by being clear about what one actually is, i.e. the nature of one who could claim to make such a choice.  If there’s still a belief in a separate, solid-state self, (which is a bit like admitting that you believe the world is flat and climate change is a myth), then you’ll believe there’s someone who can make a choice of this kind.  You’ll believe that this mental object called “me” can adroitly and wisely select between other mental objects (fear and love) in order to become a happier mental object.  To the imagined self – the chooser – love and fear are inescapably conceptual.  And what follows won’t make a smidgin of sense.  (Click X now.)

However, if you’ve sniffed out the falsity of an independent me thing, you’ll find it slightly incoherent that these two concepts, with their inherent duality, are so commonly presented as an either-or option.  It sounds like an invitation to reconstruct a fresh version of a self – one that will either make the right choice (good work!) or get it wrong (see how hopeless you are?).  You’d be right to want to sniff out the truth of the matter.

Let’s start with love.  Having experienced the mind-shattering absence of anything that could exist as an independent ghost-in-the-machine, you’ve already noticed the sweetness, the benevolence that floods into the space vacated by that phantom.  You’ve realised that that very sweetness is the Love (big L) you always imagined was elsewhere.  (Hiding behind the façade of your spiritual teacher, your partner, your lover; waiting at the end of your seeking, your arduous practice-project…)  You’ve woken up to the fact that it’s always been there;  that it’s your inescapable fundamental state and that it has no opposite, only a limitless wardrobe of apparent disguises.

Repeat – Love has no opposite.

Which means: Fear is not the opposite of, nor an alternative to, Love.

So let’s look at fear.  We’re told that humans are born with just two innate, hard-wired fears: fear of falling, and fear of sudden loud noises.  All other fears are learned, and these are the ones I speak of here.  I’m not talking about natural, normal reactions to any kind of physical danger.

I experience psychological fear as a contraction within my body.  It’s a tension, a more or less subtle holding-on – sometimes so subtle that it escapes awareness – those who have encountered the consequences of heart tension know about this.

Unlike the changeless Love discussed above, which isn’t an experience but the space in which experiences arise, any experience will always have an opposite.  If the cramping experience had an opposite, what might it be?  Wouldn’t it be the absence of any contraction triggered by recent or ancient memory?  Wouldn’t it be an open and accepting gesture towards my life?  Towards whatever the universe is throwing in my face right this minute – regardless of how it conflicts with my stitched-together idea of how it should be?

Fear is a re-action posing as a new sensation.  When I learned that after the age of six or seven we never experience a new emotion, but endlessly experience a replay of those established in infant-hood – albeit dressed up in fresh scenarios – I was shocked.  I realised that since I’m well over the age of six, any experience of fear will always be a re-action.  A re-enactment.

Another shocker came with this:  98% of what the body knows is unavailable to our conscious awareness.  Meaning that – for the most part – I don’t know what I’m afraid of and why.  Which makes it tricky to talk about “not choosing fear” – let alone being “honest” with myself.  Gulp.

The primal imprints of my early experience were laid down in the cells long before there were words to describe anything, and proceed to map out my experience, decade after decade.  Without my conscious awareness having a clue.

And so it goes for all of us.  Until something moves us to inquire.

What moves us?

Since we’ve awakened to our abiding nature as Love, we must concede that Love moves Itself.

There’s nothing personal involved:  It happens by itself.  It happens for itself.  And it happens exactly when It wants to.

It delivers an impeccable invitation to enter into an unabridged encounter with things we’ve been working all our life to avoid because the associated pain was/is unbearable.

If fear is in my face it’s because Love is fishing for a lost child’s pain – a pain unique to this matrix of experience and potential, yet universal to all humanity.  And since Love is inescapably present as the shining awareness that knows my fear, I can turn towards this fear (or grief, or rage) without ever leaving Love.

I say, “Welcome!” to fear.  I plump up a cushion for it in my heart.  I stop.

I notice the instant impulse to act out habitual, conditioned re-actions.  I desist – or at least press the pause button.  I’m interested;  having been informed that we are ignorant of the knowledge hidden in the cells, I’m curious.  Who wouldn’t want to explore?

I turn towards the sensation that is visiting me – in dreams, meditation and daily interactions.  I turn my breath, my awareness, my sensitivity and my curiosity its way.  I don’t give it the label “fear” or spell out a story about it.  I refuse to be tempted to fix it or lean into it or accept it or imagine any outcome.

So here I am, just looking, with the impartial gaze of whole-body awareness.  As though I’m looking through the eyeballs of each of the 37.2 trillion cells in my body.

I watch what happens.  I pay attention when those long-stifled echoes from the emptiness of my body begin to whisper.

Love clears its throat.  And when it knows I’m truly committed (not furtively checking out the exits) it speaks loud and clear.  Its language is felt rather than heard, sensed rather than known.  It reorganises this neurological field and in so doing recreates my relationship to the world.

And further – since it’s evident that my body has no borders – it completely recasts my relationship with and as the Cosmos.  Slowly but surely, I come to view this work as an offering made by the Cosmos for the benefit of one’s fellow-beings, the Earth, and the Cosmos itself.

Out of my mind
and into the star-stuff of my cells
I’ll follow the angel called fear
so resplendent in her costume
borrowed
from Love’s limitless wardrobe.

The angel called fear.

Allons-y!

 


Image: Frederick Walker, The Woman in White, 1871, gouache on paper. Tate London


it was a damn good deal

Ceramic sculpture by Haejin Lee

 

Until I woke up
to my unconscious insatiable insanity
it was the tireless weaver
of the fabric of my life.

It wasn’t enough to have mentally unpicked
and clearly seen-through
the myth and mirage
of the solid-state ‘me’ story.

Unconscious residue of that ‘me’
I thought was done and dusted
remained, and so, another unpicking began
– a second-level unpicking if you like.

Waking up to what one isn’t is utterly mind shifting.
It’s tempting to rest in the inevitable sweet relief;
it’s tempting to assume one has attained
the ultimate wisdom.

Yet, although thought likes to tell itself otherwise,
the thrust of cellular conditioning forges on
below the limn,
obvious to everyone but oneself.

I am driven by curiosity –
especially concerning creativity and freedom.
What might I not know about this multi-layered energetic playground
called my life? An investigation was called for.

I saw how the old unconscious imprints
ran deep; how their effects can’t be denied
yet are avoided, by-passed, rationalised
by a self-idea facing sure extinction.

Have you ever unpicked knitting?
You take the single thread responsible for the fabric’s form
and simply pull. The stitches unravel with ease.
If there’s a knot, you tease it free.

Just like that: I grasped the master lie,
and pulled. Stitch by stitch the network of neurology
unravelled. Each stitch was an imprint of pain:
fear, anger or grief.

Separation ceased as each imprint was fully felt
without one word being brought to the alchemy.
(Commentary, analysis, explanation
are neither required nor helpful.)

The howling insatiability that fuelled
my craziness was slowly sated. An incomprehensible
fulfilment surfaced that has no idea what words like
sanity or insanity might mean.

These days I find it absurd to claim that I am
anything – even “That”, or “Life”, or “Nothing”.
To say “I am” is a lie, yet as a sage once observed,
“the universe is myself”.

The universe chuckles to itself:
“It was a damn good deal – an imaginary ‘me’ for an immensity!
It only cost me everything … and everything
came back, marked perfect, wondrous, eternal.”

 


“I am not, but the universe is myself.” – Shih-T’ou, A.D. 700-790


Ceramic sculpture by Haejin Lee


 

please take these offerings

Today – another tick in the annual count for she-who-scribbles while her spacecraft steers itself around the sun.

Sitting watching the morning star rise in the pre-dawn coolness, I thought back to this offering, which I posted exactly a year ago on this unlit light blog. It wants to be shared here. I fancy it might be my yearly birthday post, since I can’t find one word I’d change. And I need these words.


Birthdays are a good time to reflect on one’s blessings, and to offer gratitude to our friends for their kindness and thoughtfulness. I always begin my birthday with a gesture of thanks to my mother, who not only gave me the miraculous opportunity for life, but also fostered, nourished and inspired the flourishing of that life in every way possible.

Now in my eighth decade, and delighting in life regardless of its curved balls, I feel to share some of the observations that have delivered me to this joy. It’s the best I can offer; may your mind and heart be able to receive.

 

Miriam Louisa Simons - Offering Bowl

 

Life hurts.
But what you are never feels pain.

Everything changes.
But what you are remains unchanged, eternally.

You’re flat and exhausted and depressed.
But what you are is forever poised as equanimity.

You’re broke, stressed, squeezed dry, homeless and hungry.
But what you are is unaffected and impartial.

You’re smashed by disappointment, betrayal, abandonment.
But what you are is ever calm, accepting and unbroken.

You’re afflicted by physical and mental aberrations, abnormalities, imbalances.
But what you are never suffers for one second.

 

So what you are is clearly something with which you need to become very familiar. And it’s e-a-s-y to do so. You don’t need a formal introduction. You don’t need a manual or a map or a guide book. You don’t need to change your religion or your beliefs (although changes may well occur as a result). You don’t need a 12-step plan or a meditation practice.

What you are is more obvious and closer than the tip of your nose. It’s the one experience you can never escape, 24/7.

What would you call that? Your aliveness? Your awareness? Your presence? All these words come close, but none are ultimately true or exact. Why?

Because they aren’t yours. Or mine. Or anyone’s. Drop the personal pronoun, and there you are – radiant all-knowing alive presence. The Light of Knowingness, self-luminous, always-on, never-needing fuel or flint…

And that is what you are – free, fulfilled and flourishing as all you conceive, perceive and experience. All of it.

How wondrous that this is possible – that this primordial awareness is huge enough to hold the entirety of creation, excluding nothing – yet be unaffected and unmoved by any expression of its handmaiden, consciousness.

It is truly The Beloved, the Godhead of the saints and sages and poets.

And it is what you are.

 


Image – Bowl, Miriam Louisa Simons, Japanese washi, threads, cardboard


 

perhaps it is time?

 
Photo art by Christoffer Relander
 

would you believe me
if I assured you that
you can never be too old
(or too young)
to meet the unborn
deathless Bright
that is your actual identity?

would you believe me
if I whispered that you
and the world appearing
within that radiant
Knowingness
are inseparable
except in thought?

would you believe me
if I said, No, it is not
too late
to turn in, to dive down
into your immensity
and feel loved again by
your own shy Life?

if your days feel deadened
by weariness and futility,
if your world seems fragmented
and full of pain,
I implore you: please
don’t believe or not believe,
but glance, with thoughts
on hold,
at the ever-present invitation
to check this out for yourself
 
perhaps it is time?

 


Multiple exposure portrait by Christoffer Relander


creation is a selfless selfie

 

Echoes from Emptiness: Photo by Miriam Louisa Simons - Lanzarote aquascape

 

the seeing of It:

the ripples and reflections
the surface and the cool depth
the sun-snatching edges and the calm continuo
the tones, textures, colours

 

the watching of It:

the naming and the recalling
the emotional embroidery, the visceral memories
(pain and pleasure both flushed my cheeks
on that windswept isle in the Canaries)

 

the knowing of It:

all that unfolds before, behind, within and throughout me
as this world I call ‘mine’
shimmers fluidly in a center-less, owner-less
wideawake Aware-ing

 

I am Not,
but the Universe is my Self.

– Shih-T’ou, A.D. 700-790

 


Image – swimming pool reflections captured on a long-ago vacation; Lanzarote, Canary Islands