I need to tell you this before it’s too late

 

Jean-Michel Meurice, Urgell 1, 2004

 

The knowing of Knowing

is the sweetest somatic intimacy, the ultimate G[od]-spot.

It’s no wonder poets pen passionate love-notes

to their beloved Beloved.

 

It’s more evident than any revelation,

more obvious than anything observed.

Yet this seamless saturation is neither an experience

nor anything that could be called an attainment.

 

It’s prior to consciousness,

to memory, to perception, to imagination.

(I say “prior to” but I don’t mean a-p-a-r-t from.

Perhaps precursory would be a better word.)

 

How mysterious that it’s completely overlooked, ignored,

while at the same time

hungered for/longed for/searched for/worked for/studied for/meditated for/practiced for/prayed for/paid for, in time, devotion and sacrifice . . .

 

What a joke! 

No GPS can locate it.

Yet it’s inescapable.

 

I don’t need a guru, method, scripture, sledgehammer

to wake up to the fact that whatever I am

is unarguably and precisely whatever I perceive, experience, feel.

I only have to look from a silent mind.

 

To acknowledge this Knowing –

to abide as it, to act as it

restores me to the all-inclusive immensity

I knew all along.

 

All along.

 

Since breath #1 was gasped on a summer’s morning in 1944

and these innocent eyes first opened

onto the mindscape

before

words like suffering and salvation were sown there

sprouting addictive fantasies

about enlightenment, transcendence, escape

before

I was thought-washed to believe that

the embodiment of this Knowing

would erase every discomfort and dysfunction from my experience

before

the dark net of distinctions descended

before

I learned to be clever.

 

– miriam louisa

 


 

Artwork by Jean-Michel Meurice
Urgell 1, 2004
Acrylic on fabric, 215 x 215cm
More info HERE

I love the way this work portrays the richness of our circular existence, the dance of the dreamer around the still, silent core. It’s a wonderful example of contemporary Tantric art.

 


 

It’s been a year of farewells: a brother, an artist comrade, and now another old buddy from my peer-group has gone.
Again I meet the temporality, the impermanence of this experience of being alive.
Again something rises to state the actuality of my experience – not to comfort or console, but to remind myself that everything appearing is a window onto the everlastingly unaffected.
So what?
So that whatever life dishes up has some small chance of being met with honesty and presence. So that I might be sane enough to remember that my wishes – no matter how profound – have nothing to do with what-is. So that I might see directly, act appropriately.
I’m ok with old age. The need to change anything falls away. Candles in the wind.
Yet (occasionally) (rarely these days) I’m moved to share a confession. You never can tell, it might be the last one. And there are things I want to say before I go.
Thank you for reading.

 


on popping the pink pill and dissolving into aware space

Alan Perriman, Fog

 

This is what I love about fog:

space is rendered opaque

so I get to see

Creation’s cauldron,

to see the emptiness I ordinarily move through

oblivious

to its strange solidity.

 

I had it all back to front –

assuming my solidity and its, well, nothingness.

One night a few months ago I asked how

Dōgen’s “aware space” *

might be made evident, physically perceivable,

experience-able beyond conceptualization

and next morning I woke up to thick fog.

 

I thought, OK let’s color it pink

to make it even more evident

– no problem for a visual mind like mine –

but then I noticed that my hands,

the exhalation of my breath,

my table, my room, my coffee,

everything was permeated with pinkness.

 

In high school science class I was taught:

An atom consists of 99.9999999999996% “empty space”

and should all the “empty space”

be vacuumed out of one’s body

the solid matter remaining would fit

on the point of a pin.

(Along with all those dancing quantum angels.)

 

And I lost it, almost wet myself laughing . . .

“You mean . . .?”

I’m leaving it to you, dear reader,

to join the dots for yourself.

If you do, you’ll never again be puzzled

by the paradox of the Prajñāpāramitā.

 
– – –
 

That’s how teachings arrive for me:

a question goes out

and the universe serves a set-up

perfectly calibrated for comprehension

by this old cow’s unique version

of craziness.

Mu!

 


Painting by UK artist Alan Perriman, Fog – one of a series where he sets out to express in visual language a short Japanese poem.

Because fog engulfs
the house where I am
I feel as though
I have floated into the sky
– Myōe
1173-1232

alanperriman.co.uk


* Dōgen’s “Aware Space”:
I was sitting with a commentary on Dōgen zenji’s Being Time, given by Anzan Hoshin roshi.

He said, “Dōgen is pointing out the way Aware Space embodies itself as each of you, and how each of you unfold yourselves as each other and as all things, as all beings, all times, all worlds.”

Gulp.     God I love Dōgen.

White Wind Zen Community, Ottawa.


stalking the numinous niche

This confession was originally posted on my blog this unlit light in 2011.  Recently I’ve been reminded about the little cache of my writing that quietly rests over on that blog and it’s been suggested that I share some snippets here for readers.  I figured that when the time was ripe to do so, I’d get a prompt.

It came a few days ago, over lunch with a couple of dear friends.  We were talking about the way humans seem compelled to “find their tribe.”  To join forces with those of like mind, to feel a sense of belonging and validation.  I had to admit that I’d never found a tribe or group that didn’t end up either disappointing me, or spitting me out for disappointing them.  If I had a tribe it would be in the league of the Rank Outsiders, the Solo Fliers, the Holy Rejects.

The conversation got me reminiscing about my mid-life preoccupation with finding where I fit.  It wasn’t so much about finding a tribe as finding my so-called niche.  It went on for the first half of my life and only disappeared (taking the need for company with it) when the split between the niche-less one and her experience zipped itself up. It had a lot to do with acknowledging what she loved to do (play with colour, texture, visual language), because in that encounter she unfailingly disappeared into the unknowable: into her numinous niche.

I have no idea how it happened. Love has a mind of its own; it slowly seeped out of the studio and into the everyday encounter with all-that-shows up.  The niche I had imagined to be my ‘place’ was none other than this numinous now.

 


 

Lawrence Carroll, Untitled, 2015

 

My Niche is The Unknowable – April 22, 2011

About thirty years ago I confessed to a kindly iridologist that I felt I had failed to find my ‘niche’ in life.  He peered into my bright blue eye-maps and remarked that it was strange, because everything he could read there indicated that I was a highly capable person who could find a niche in many avenues of expertise.

It worried me, that feeling of being niche-less.  I was in awe of those who seemed, from a young age, to know exactly what they wished to do in the world and set about achieving it.  And it wasn’t helped by those who knew the potential here and kept asking when I was going to fully explore (exploit?) it.  I was in my mid 40s and still wondering what I would be when I grew up.

I had all the right tools: a reasonably sane brain, a good education, some skills as an educator as well as in the area of art and design, but my life-path seemed like a meandering groping from one neti-neti to the next.

I tried being a teacher, a broadcaster, a fashion designer, a wife, a lover, a wandering yogini, a ‘professional’ artist.  All those niches ultimately failed to fit. The role that held the most promise was that of the artist, but the funny thing was that whenever the flow of genuine creating was going on in the studio, I wasn’t there.  I mean, ‘artist-me’ was AWOL.  In its place there was a spacious, ownerless activity unrelated to all my small ideas of what should be happening.  And the moment the ‘artist-me’ tried to examine this mysterious activity it would vaporize.  It was ungraspable and unknowable.

Later I would find a philosophy that made sense of this mystery – it is spoken about by sages and artists alike as the movement of pure nondual Awareness. But back then it was a total enigma to me; it put the fire under a lifetime’s exploration of creativity. And it eventually delivered me to the niche I had given up any hope of finding.

My niche turned out to be that ineffable intimate Awareness itself.  And the amazing thing is that it always had been!  It had been my preoccupation for decades, yet I had failed to recognize that it was a valid contender for the niche stakes.  I had conceptualised the niche-notion, irrevocably keeping it at arm’s length and ensuring the survival of a niche-less seeker trapped in time.  Truly, I can be quite slow

When the penny dropped, a lifetime’s worth of seemingly incoherent bits of ridiculousness fell into place.  I fell about laughing like a lunatic.  The absurdity and awesomeness of it!  The beauty and simplicity and grace of it!

Like … landing on a bed of rose petals … sinking into their silken perfume … resting, at last … knowing that this simple at-one-ment always runs below the surface of experience, ALL experience … knowing that you never have to leave … even if it were possible!

– miriam louisa
(With minor editing to accomodate a further seven years’ worth of lightbulb moments.)


Artwork: Lawrence Carroll Untitled, 2015
Artificial flowers, pigment, stain, housepaint, dust
7,5 x 218 x 185 cm


following fear into the star-stuff of my cells

Frederick Walker, The Woman in White, 1871 Tate Gallery

 

This post is an attempt to explain why I’m a dedicated follower of fear.  For as long as I can remember (and that’s probably way further than your lifespan dear reader), I’ve been keenly curious and unafraid of a good adventure.  So it’s surprising that I was so slow to arrive at the threshold of my body’s dark knowledge.  Needless to say, the Shadowlands had good reason to be well-hidden from my agenda…
But once the bellyflop into the deep occurred, the implications of the free-fall of fifteen years ago could at last percolate down and settle in the cells.  I am writing this in the midst of another dive – a somatic meditation retreat, which I think of as a pre-death trauma detox.  For the most part I’m avoiding the screen, but this pressed to be posted.


We hear it so often:  To be happy, to be spiritually liberated, to be … (insert personal agenda), we must choose between love and fear.  And the ominously silent insinuation is that choosing fear is definitely not the way to go.

My platitude-sensitive antenna start to hum; a dictum like this is demands scrutiny.

A good place to start is by being clear about what one actually is, i.e. the nature of one who could claim to make such a choice.  If there’s still a belief in a separate, solid-state self, (which is a bit like admitting that you believe the world is flat and climate change is a myth), then you’ll believe there’s someone who can make a choice of this kind.  You’ll believe that this mental object called “me” can adroitly and wisely select between other mental objects (fear and love) in order to become a happier mental object.  To the imagined self – the chooser – love and fear are inescapably conceptual.  And what follows won’t make a smidgin of sense.  (Click X now.)

However, if you’ve sniffed out the falsity of an independent me thing, you’ll find it slightly incoherent that these two concepts, with their inherent duality, are so commonly presented as an either-or option.  It sounds like an invitation to reconstruct a fresh version of a self – one that will either make the right choice (good work!) or get it wrong (see how hopeless you are?).  You’d be right to want to sniff out the truth of the matter.

Let’s start with love.  Having experienced the mind-shattering absence of anything that could exist as an independent ghost-in-the-machine, you’ve already noticed the sweetness, the benevolence that floods into the space vacated by that phantom.  You’ve realised that that very sweetness is the Love (big L) you always imagined was elsewhere.  (Hiding behind the façade of your spiritual teacher, your partner, your lover; waiting at the end of your seeking, your arduous practice-project…)  You’ve woken up to the fact that it’s always been there;  that it’s your inescapable fundamental state and that it has no opposite, only a limitless wardrobe of apparent disguises.

Repeat – Love has no opposite.

Which means: Fear is not the opposite of, nor an alternative to, Love.

So let’s look at fear.  We’re told that humans are born with just two innate, hard-wired fears: fear of falling, and fear of sudden loud noises.  All other fears are learned, and these are the ones I speak of here.  I’m not talking about natural, normal reactions to any kind of physical danger.

I experience psychological fear as a contraction within my body.  It’s a tension, a more or less subtle holding-on – sometimes so subtle that it escapes awareness – those who have encountered the consequences of heart tension know about this.

Unlike the changeless Love discussed above, which isn’t an experience but the space in which experiences arise, any experience will always have an opposite.  If the cramping experience had an opposite, what might it be?  Wouldn’t it be the absence of any contraction triggered by recent or ancient memory?  Wouldn’t it be an open and accepting gesture towards my life?  Towards whatever the universe is throwing in my face right this minute – regardless of how it conflicts with my stitched-together idea of how it should be?

Fear is a re-action posing as a new sensation.  When I learned that after the age of six or seven we never experience a new emotion, but endlessly experience a replay of those established in infant-hood – albeit dressed up in fresh scenarios – I was shocked.  I realised that since I’m well over the age of six, any experience of fear will always be a re-action.  A re-enactment.

Another shocker came with this:  98% of what the body knows is unavailable to our conscious awareness.  Meaning that – for the most part – I don’t know what I’m afraid of and why.  Which makes it tricky to talk about “not choosing fear” – let alone being “honest” with myself.  Gulp.

The primal imprints of my early experience were laid down in the cells long before there were words to describe anything, and proceed to map out my experience, decade after decade.  Without my conscious awareness having a clue.

And so it goes for all of us.  Until something moves us to inquire.

What moves us?

Since we’ve awakened to our abiding nature as Love, we must concede that Love moves Itself.

There’s nothing personal involved:  It happens by itself.  It happens for itself.  And it happens exactly when It wants to.

It delivers an impeccable invitation to enter into an unabridged encounter with things we’ve been working all our life to avoid because the associated pain was/is unbearable.

If fear is in my face it’s because Love is fishing for a lost child’s pain – a pain unique to this matrix of experience and potential, yet universal to all humanity.  And since Love is inescapably present as the shining awareness that knows my fear, I can turn towards this fear (or grief, or rage) without ever leaving Love.

I say, “Welcome!” to fear.  I plump up a cushion for it in my heart.  I stop.

I notice the instant impulse to act out habitual, conditioned re-actions.  I desist – or at least press the pause button.  I’m interested;  having been informed that we are ignorant of the knowledge hidden in the cells, I’m curious.  Who wouldn’t want to explore?

I turn towards the sensation that is visiting me – in dreams, meditation and daily interactions.  I turn my breath, my awareness, my sensitivity and my curiosity its way.  I don’t give it the label “fear” or spell out a story about it.  I refuse to be tempted to fix it or lean into it or accept it or imagine any outcome.

So here I am, just looking, with the impartial gaze of whole-body awareness.  As though I’m looking through the eyeballs of each of the 37.2 trillion cells in my body.

I watch what happens.  I pay attention when those long-stifled echoes from the emptiness of my body begin to whisper.

Love clears its throat.  And when it knows I’m truly committed (not furtively checking out the exits) it speaks loud and clear.  Its language is felt rather than heard, sensed rather than known.  It reorganises this neurological field and in so doing recreates my relationship to the world.

And further – since it’s evident that my body has no borders – it completely recasts my relationship with and as the Cosmos.  Slowly but surely, I come to view this work as an offering made by the Cosmos for the benefit of one’s fellow-beings, the Earth, and the Cosmos itself.

Out of my mind
and into the star-stuff of my cells
I’ll follow the angel called fear
so resplendent in her costume
borrowed
from Love’s limitless wardrobe.

The angel called fear.

Allons-y!

 


Image: Frederick Walker, The Woman in White, 1871, gouache on paper. Tate London


Link

goofiness and the great grok

After the last unashamedly goofy post about cavorting with twinkle-toed Hafiz and a pipe-playing bunny it seems timely to post something a little more … grounded.

Unfortunately Emptiness doesn’t deliver according to demand; this is what turned up. It starts off sensibly enough, but when the metaphorical “clicks” deliver one to the inevitable placeless-place, i.e. when the free-fall occurs, it all gets dizzy again.

(Sorry, but you did sign-up / click-through…)

ALICE and the Quantum CAT

Yes. It’s true. The mind shift out of separation is monumental. That’s why it tends to be mythologised. Yet the ‘happening’ itself is more like a series of extremely subtle nano-gestures; somewhat like the unnoticed adjustments one’s eyes make to a change in ambient light.

In my experience something is definitely ‘felt’ in perception – it’s physical as well as psychological. In other words, the shift can be sensed by something, yet I find the ‘something’ can’t be torn apart from the sensing. I notice, for example, a releasing of muscles in the eye area, the forehead and the back of my head. The top of my head wants to open like a flower.

However, it’s in the psychological arena that the effects are monumental. Imagine, if you will, a little meter in mindspace with a needle that registers ways of perceiving / creating / experiencing one’s world. As the needle moves through the various modes there’s a little ‘click’.

You start off in particle view; you know yourself as a solid-state person with a mind of your own. You don’t need anyone to tell you otherwise, but along comes a sage (or a kind friend) who says that’s a lie. (Ooops.) You explore a bit – maybe try meditation, or check out the evidence presented by your own direct experience. Eventually something causes your boundaries to melt and – you’re awash in wave view.

“CLICK”

You’re feeling pretty cool about your new wave view; it feels amazing actually. It makes you take the so-called spiritual search seriously and you suspect that this is what they mean by ‘enlightenment’. Maybe you crow about it a bit, start entertaining ideas about teaching others the particle / wave trick. But someone or something disabuses you (oh) and you settle down into humble not-knowing-ness. And without moving a neuron, maybe your humility quiets the wave and there’s a shift to oceanic view.

“CLICK”

Oceanic view seems like the pinnacle – enlightenment at last! – yet you find yourself asking, “What’s awaring this view?” Meaning – there’s still a sense of subtle separation. By this stage though, your flotation suit (the one with “ME” laminated in electric yellow on the back) is leaking badly. Your head is in the tiger’s mouth (as they say) and nothing can save you from drowning and dissolving. Now you no longer know any boundaries: self is spaciousness.

“CLICK”

Oh – – – so this is what they mean by cosmic view! Mama Mia, you say, I’m awake and I was never unawake! And it is true – you are awake and you know you are awake. Your eyes are wide with the shock of sensing your self as everything you can perceive as far as perception’s probes can penetrate.

(The sky-dancing sage is cackling and shaking her rattle. She knows the goose isn’t yet fully cooked; there’s more… )

Cosmic view is … yet another view. It’s the one, however, that places you in the neighbourhood of black holes, and eventually Life will make sure you are devoured, entirely devoured, by one of them. Everyone knows there’s no view inside a black hole. No view, and no you.

“CLICK”

{ { { J U S T  T H I S ! } } }

Crikey.

The edifice has been dismantled. Full-on wild wideawakeness pops the eyes right out of the head. Awareness beams itself through the slits in the eyes of Mr Schrödinger’s cat and sees that ‘dead’ and ‘alive’ and Infinite Potential coexist in timelessness. Goofiness floods in. The enigmatic grin of the great grok appears on your dial.*

The why and the how of it can’t be explained. It seems comic that thought desperately needs to bullet-point the ineffable.

As if it mattered!

Life joyously heads out into the theatre of  magical mind, meeting each moment afresh and recognising all arisings as its endlessly-morphing self: “This too! This too! This too!”

And what does the world see? A goof with a silly grin on her face and a cunning cat at her heels (or not).


* ‘Grok’ means ‘identically equal.’ It means to understand so thoroughly that the observer becomes a part of the observed — to merge, blend, intermarry, lose identity in…

“All that Groks is God.”


Image – detail from the cover of Alice and the Quantum Cat, edited by William Brandon Shanley – an adventure into the world of 21st century science with contributions from Fred Alan Wolf, Amit Goswami, F David Peat, Nick Herbert, Danah Zohar, Beverly Rubick and Peter Russell. What a line up!

http://www.paripublishing.com/books/alice-and-the-quantum-cat/


mooning melts the night

 

Utagawa Hiroshige (Ando) - Wind Blown Grass Across the Moon

 

xxxii

a moment arrives

without a need of the past

the full moon rises

 

xxxiii

a thought bubbles up

a preference is posited

the moon doesn’t mind

 

xxxiv

the bubble bursts, pop!

awareness has no center

mooning melts the night

 


Image: Utagawa Hiroshige (Ando), Wind Blown Grass Across the Moon
Woodblock print
Collection, Brooklyn Museum, New York


memo from IT to ITself

 

IT is not understood until IT is forgotten

 

IT is not understood
until IT is forgotten.

When IT is forgotten
IT can express ITself.

When IT expresses ITself
you won’t recognise IT.

If you think you recognise IT
you are mistaken.

Realising you are mistaken
about everything

 

cracks open

 &

deconstructs

 

your many-layered
me-isphere

revealing IT to ITself

perfectly.

 


“IT” in this context = reality, big R.
This post might read like a madwoman’s rant, but those who have free-fallen into Unknowing will simply smile at the play of paradox.
Such is IT’s way.


Image sourced from Facebook, where credit was not given. Please advise if it’s yours and an appropriate link will be added.