I need to tell you this before it’s too late

 

Jean-Michel Meurice, Urgell 1, 2004

 

The knowing of Knowing

is the sweetest somatic intimacy, the ultimate G[od]-spot.

It’s no wonder poets pen passionate love-notes

to their beloved Beloved.

 

It’s more evident than any revelation,

more obvious than anything observed.

Yet this seamless saturation is neither an experience

nor anything that could be called an attainment.

 

It’s prior to consciousness,

to memory, to perception, to imagination.

(I say “prior to” but I don’t mean a-p-a-r-t from.

Perhaps precursory would be a better word.)

 

How mysterious that it’s completely overlooked, ignored,

while at the same time

hungered for/longed for/searched for/worked for/studied for/meditated for/practiced for/prayed for/paid for, in time, devotion and sacrifice . . .

 

What a joke! 

No GPS can locate it.

Yet it’s inescapable.

 

I don’t need a guru, method, scripture, sledgehammer

to wake up to the fact that whatever I am

is unarguably and precisely whatever I perceive, experience, feel.

I only have to look from a silent mind.

 

To acknowledge this Knowing –

to abide as it, to act as it

restores me to the all-inclusive immensity

I knew all along.

 

All along.

 

Since breath #1 was gasped on a summer’s morning in 1944

and these innocent eyes first opened

onto the mindscape

before

words like suffering and salvation were sown there

sprouting addictive fantasies

about enlightenment, transcendence, escape

before

I was thought-washed to believe that

the embodiment of this Knowing

would erase every discomfort and dysfunction from my experience

before

the dark net of distinctions descended

before

I learned to be clever.

 

– miriam louisa

 


 

Artwork by Jean-Michel Meurice
Urgell 1, 2004
Acrylic on fabric, 215 x 215cm
More info HERE

I love the way this work portrays the richness of our circular existence, the dance of the dreamer around the still, silent core. It’s a wonderful example of contemporary Tantric art.

 


 

It’s been a year of farewells: a brother, an artist comrade, and now another old buddy from my peer-group has gone.
Again I meet the temporality, the impermanence of this experience of being alive.
Again something rises to state the actuality of my experience – not to comfort or console, but to remind myself that everything appearing is a window onto the everlastingly unaffected.
So what?
So that whatever life dishes up has some small chance of being met with honesty and presence. So that I might be sane enough to remember that my wishes – no matter how profound – have nothing to do with what-is. So that I might see directly, act appropriately.
I’m ok with old age. The need to change anything falls away. Candles in the wind.
Yet (occasionally) (rarely these days) I’m moved to share a confession. You never can tell, it might be the last one. And there are things I want to say before I go.
Thank you for reading.

 


it was a damn good deal

Ceramic sculpture by Haejin Lee

 

Until I woke up
to my unconscious insatiable insanity
it was the tireless weaver
of the fabric of my life.

It wasn’t enough to have mentally unpicked
and clearly seen-through
the myth and mirage
of the solid-state ‘me’ story.

Unconscious residue of that ‘me’
I thought was done and dusted
remained, and so, another unpicking began
– a second-level unpicking if you like.

Waking up to what one isn’t is utterly mind shifting.
It’s tempting to rest in the inevitable sweet relief;
it’s tempting to assume one has attained
the ultimate wisdom.

Yet, although thought likes to tell itself otherwise,
the thrust of cellular conditioning forges on
below the limn,
obvious to everyone but oneself.

I am driven by curiosity –
especially concerning creativity and freedom.
What might I not know about this multi-layered energetic playground
called my life? An investigation was called for.

I saw how the old unconscious imprints
ran deep; how their effects can’t be denied
yet are avoided, by-passed, rationalised
by a self-idea facing sure extinction.

Have you ever unpicked knitting?
You take the single thread responsible for the fabric’s form
and simply pull. The stitches unravel with ease.
If there’s a knot, you tease it free.

Just like that: I grasped the master lie,
and pulled. Stitch by stitch the network of neurology
unravelled. Each stitch was an imprint of pain:
fear, anger or grief.

Separation ceased as each imprint was fully felt
without one word being brought to the alchemy.
(Commentary, analysis, explanation
are neither required nor helpful.)

The howling insatiability that fuelled
my craziness was slowly sated. An incomprehensible
fulfilment surfaced that has no idea what words like
sanity or insanity might mean.

These days I find it absurd to claim that I am
anything – even “That”, or “Life”, or “Nothing”.
To say “I am” is a lie, yet as a sage once observed,
“the universe is myself”.

The universe chuckles to itself:
“It was a damn good deal – an imaginary ‘me’ for an immensity!
It only cost me everything … and everything
came back, marked perfect, wondrous, eternal.”

 


“I am not, but the universe is myself.” – Shih-T’ou, A.D. 700-790


Ceramic sculpture by Haejin Lee


 

how could you not love something like that?

I was poking around one of my favourite poetry sites recently and found some of my own lines. They had been sourced from one of my other blogs.
(Sincere nods of gratitude to the curator.)

I had quite forgotten these lines (unsurprising, since you didn’t write them, says Emptiness), and reading them again delights me. Unashamedly. So I’m sharing them here.

 

Echoes from Emptiness: how could you not love something like that?

 

how could you not love something that

never leaves you
regardless of how often you ignore it?

that’s always self-shining –
never needing flint or switch or fuel?

that never changes
regardless of the vicissitudes of your daily experience?

that never takes sides
whatever person, team or nation you’re supporting,
whatever idea or opinion you hold?

that never breaks apart
even though your life appears to?

that never minds
n-e-v-e-r   m-i-n-d-s
that you spend your life running around looking for it
while it’s in your face the whole time?

how could you not love something like that?

something you can never escape,
and that’s so immanent
you are forced to accept it
as your own true identity?

how could you not then love
Y O U R S E L F ?

and everything arising
– thoughts, perceptions, memories, feelings –
within that inconceivable Self?

how could you not love that immensity which precedes
and includes all existence?

how could you not kneel at your own feet
in awe?

 

how could you pretend that your enlightened
heart-driven passion
was not the Great Passion of That
which holds the planets in their orbit?

 

how could you ignore the urge to pour
your energy and attention
into whatever opens your heart?

 

how?

 

– miriam louisa
August 2013