zen moments of the senior kind

Happy Hermit

 

The continuation of the spiritual journey really depends on how crazy we’re willing to be.
– Reggie Ray

I had no idea I’d end up this crazy. Or this contented. Or this fulfilled. Don’t ask me about happiness – it’s a sub-category these days. Imagine being happy to be unhappy? Imagine being contented to feel like shit? Imagine being at peace with pain and weariness? Imagine being ok with depression, flatness, confusion? If this isn’t your version of liberation I totally understand. (We all start out on this journey imagining ‘waking up’ will magically erase all discomfort from our experience.)

But this absurd liberation lives here, and this is what the crazy cow offers tonight: five three-liners of the slightly nonsensical variety. They like to think they are haiku, but would duck and hide in the presence of ‘real’ haiku. Apologies for my warping of noble zen aphorisms, koans and haiku. I mean no disrespect; after all these years they are deeply embroidered in the fabric of this brain and have a life of their own.

My sanity does too. Where the hell did I put it?


old flesh, old bones

on the zafu, aches come and go

just like I used to

~

weary old mind

data flows in, data drops out

plop!

~

music to my ears…

the sound of someone else

chopping

~

puddle on zafu

old cow’s melted-down stories

moo!

~

relentless koan:

what is the sound of my neighbor’s dog

barking?

 

~

 


About the image.  This delightful brush drawing comes from the cover of an exhibition catalogue: L’Au-delà dans l’art japonaise. Paris 1963. Nowhere in the book does it mention the name of the artist whose work is featured on the cover. My instincts tend towards Sengai… what do you think?


 

on turning seventy three

 

alone in my hut

[no one here to invent me]

eyeballing emptiness

 

Rainbow Lorikeet hovering by Trevor Andersen

 

Seventy three missions

around the sun and not

one thing of worldly value

to show for it.

 

No savvy safety-nets:

investment portfolios, insurance policies,

plans A, B and C.  I walk the way

of not-knowing and wonderment.

 

Lofty notions of enlightenment, bliss,

exalted understanding have no buyer here;

I’ll take this uninvited, serene,

free and priceless fulfilment.

 

See, today I heard the air sing

as it danced through the rainbow wings

of a Lorikeet suspended

in space.

 

Today I watched cumulonimbus

massing in the west, those

sculpted edges alive with flaming gold

as the sun went down.

 

Tonight, as dusk fell

bringing cool relief to the sweating forest

I giddily inhaled a draught

laden with night-scented Jessamine.

 

And it is enough. Whatever may lie ahead

for this beloved bag of bones

the simple sensuous joy of being Presence

 

is enough.

 


Rainbow Lorikeet hovering. Photograph by Trevor Andersen.


breathing with the lake

Here I am.
Sitting in Paradise
breathing.
Breathing the tide of clarity – in it comes
crystal-clear, out it goes,
often muddied by mind –
and I smile as this lifestream flows on
saturating each sensation, yet
paying no heed;
never cocking an eyebrow or casting a vote,
only ever reminding me:
Here I am
I-without-name-or-boundary
here and now
as This, and This and This.


The current version of Paradise finds me staying in a place of great beauty, beside a large lake. This entire year has unfolded as a series of deep retreats. It is a time for, and of, integration. Health issues are being lovingly tended and their emotional causality explored. It’s both harrowing and heart-swelling: Grace delivers whatever is needed, reminding me I signed up for the Full Monty.

Apropos of nothing (I never go fishing) these three small poems landed in my net:


Miriam Louisa Simons, Lake Macquarie, dawn

 

breathing with the lake

I am

Monet-mind beside the Seine

 

 

black swans glide by, curious:

pounding the lakeside path

a rainbow!

 

 

fog hiding the lake

one solitary oarsman

rows through melting space

 


Photograph taken from my zafu.


on the road

 

Brunswick Heads - Soldier Crabs

xlvii

unblinking eyeballs

on the march at low tide

sky-gazers!

[the river mouth at Brunswick Heads, NSW]

 

Sulphur Crested Cockatoos

xlviii

a smokers’ dawn chorus

shatters azure silence

cockies aloft

[near Armidale, NSW]

 

Wellington Caves

xlix

eyeless emptiness

gazes at its ancient artistry:

on the road

to now-here

[Wellington Caves, near Dubbo, NSW]

 


Image credits:
Soldier Crabs by yours truly.
Sulphur Crested Cockatoos from ABC News.
Wellington Caves from juliusbergh.com – see more stunning images of the caves on this blog.


time forgets to tick

New Years Day, 2016 – according to the calendar. Three micro-poems which might or might not be haiku. I offer them as they landed. The first one is a selfie and makes me chuckle. The last – well, if you’ve experienced an Australian morning you’ll know about the predawn antics of the rowdy kookaburras… In between, a quiet reflection on – how it is.

 

Gerrit Dou: Old Woman with a Jug at Window

 

xliv

the caged bird long flown

an old woman waters flowers

time forgets to tick

 

xlv

abandoned at last

by meaning and purpose

I sit with my tea

 

xlvi

3am – seems they know

it’s the dawn of a New Year

kookabloodyburras

 


Image: Gerrit Dou, Old Woman with a Jug at Window, c 1660 – 1665
Oil on Panel, 28.3 x 22.8
Kunsthistoriches Museum, Vienna


 

three spring haiku

Unknown painter: Sparrows singing their hearts out

 

xli

heavy spring showers

my sleeves wet with the world’s tears

how sweet the birdsong!

 

xlii

everything happens

they say it’s ‘for a reason’

I say stop right there

 

xliii

here’s a great secret:

all does not have to be well

to be perfection

 


Ink painting, artist unknown. I suspected Ohara Koson but fail to find attribution.
Let me know if you can read the chop and solve the mystery.


sunyata in shoes

Three September haiku. It’s been quite a month: planets going backwards, the occurrence of the spring equinox (in Australia), and multiple eclipses of the moon… Moon business always seems to open a little gate here and the three-liners tumble through, fully formed. Wondrous!

 

Painting by Duy Huynh http://www.duyhuynh.com/artwork/selected-archives/

 

XXXVIII

sunyata in shoes

befriended by light and flight

she moves as the wind

 

XXXIX

faith and trust and grace

you only find their presence

when you disappear

 

XL

on this year’s soulstice

something in me swelled and surged

the tide has turned

 


Painting  by Duy Huynh


Śūnyatā – see https://en.wikipedia.org/wiki/Śūnyatā